The emergent arena of film philosophy, or rather “film-philosophy” has, over the last decade, given rise to, in roughly sequential order, a popular discussion list, a series of conferences and some outlying events, an online journal and multiple edited collections. Naturally it has also given rise to some, if fewer, monographs, of which Hamish Ford’s […]
The post Cinema’s Ontological Violence: Hamish Ford’s Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time appeared first on Senses of Cinema.
